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Sigrid Undset made her debut in 1907 with her novel about marriage Fru Marta Oulie, followed by Den lykkelige alder (SS), 1908, and made her breakthrough with Jenny, 1911, a novel about a young woman artist who places high demands, not only on art, but also on love and, not least, on herself. In 1945 she returned to a home that had been razed to the ground. From 1935 to 1940, she was chair of the Norwegian Authors’ Union until she was forced to flee to the USA due to her resistance activities against the Nazis. She divorced in 1924 after twelve years of marriage, converting to Catholicism in the same year. After brief commercial training, she found employment as a secretary, travelled at the age of twenty-seven to Rome on a scholarship, and met her husband, the painter Anders C. She was born in Denmark and grew up in an intellectual civil servant community in Christiania as the daughter of the well-known Norwegian archaeologist Ingvald Martin Undset. Sigrid Undset received the Nobel Prize in Literature in 1928 and was a prominent figure in modern Norwegian realism. Exploring the artistic challenges, technical impossibilities, marketplace demands, and Donkey Kong-sized monkey wrenches thrown into the works by corporate, Blood, Sweat, and Pixels reveals how bringing any game to completion is more than Sisyphean-it's nothing short of miraculous. In Blood, Sweat, and Pixels, Jason Schreier takes readers on a fascinating odyssey behind the scenes of video game development, where the creator may be a team of 600 overworked underdogs or a solitary geek genius. “The stories in this book make for a fascinating and remarkably complete pantheon of just about every common despair and every joy related to game development.” - Rami Ismail, cofounder of Vlambeer and developer of Nuclear Throneĭeveloping video games-hero's journey or fool's errand The creative and technical logistics that go into building today's hottest games can be more harrowing and complex than the games themselves, often seeming like an endless maze or a bottomless abyss. Was it possible to plant a flag without appearing to be, as one committee member put it, "taking possession of the moon"? A telegenically inferior plan to use a boxed set of miniature flags of all nations was considered and rejected. The Outer Space Treaty, of which the United States is a signer, prohibits claims of sovereignty upon celestial bodies. The newly formed Committee on Symbolic Activities for the First Lunar Landing gathered to debate the appropriateness of planting a flag on the moon. It began with meetings, five months before the Apollo 11 launch. The paper is entitled "Where No Flag Has Gone Before: Political and Technical Aspects of Placing a Flag on the Moon." Vexillology is the study of flags, not the study of vexing things, but in this case, either would fit. Of the millions of pages of documents and reports generated by the first moon landing, none is more telling, to me anyway, than an eleven-page paper presented at the twenty-sixth annual meeting of the North American Vexillological Association. Packing For Mars: The Curious Science Of Life In The Void |